hannisballs:

hannibal lecter’s sketches

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mads mikkelsen’s sketches

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(via shannibals)

don’t you hate it when you offer someone food and they say yes

(via thesoftghetto)

voiceofnature:

So I dyed my cats pink with leftover beet water. No regrets! <3 :D I had to wash them because of some oil spill they had gotten into, and chose to use the beet water, which is perfectly safe. I had no idea it would really make them this pink.

voiceofnature:

So I dyed my cats pink with leftover beet water. No regrets! <3 :D
I had to wash them because of some oil spill they had gotten into, and chose to use the beet water, which is perfectly safe. I had no idea it would really make them this pink.

(via numinous-queer)

clairefox35:

Actual scene from Hannibal 2x08 Su-Zakana.

(via borgiabastard)

polmaic:

Le Notti di Cabiria, Federico Fellini, 1957

polmaic:

Le Notti di Cabiria, Federico Fellini, 1957

(via confessionsofamichaelstipe)

arvidabystrom:

me by me with some maja assistance

arvidabystrom:

me by me with some maja assistance

(via fysoftfemme)

(via cimness)

thetrekkiehasthephonebox:

jezuskrisztus:

I can 300% relate to this 

THEIR NOSES GET COLD AND CATS ARE SO CUTE

(via toupayylmao)

wolverxne:

An orphaned puppy and abandoned kitten who were put together at a rescue centre have become so close - they think they are sisters.

Kitty the cat was brought into Battersea Cats and Dogs Home by a kind-hearted member of the public who found her alone in a garden when she was just one day old.

To keep her company she was put together with Buttons the Jack Russell, who was born at the centre but rejected by her mother as the runt of the litter.

{ARTICLE}


(via cimness)

supermodelgif:

"High &amp; Mighty", Nadja Auermann by Helmut Newton for Vogue, Feb. 1995 

supermodelgif:

"High & Mighty", Nadja Auermann by Helmut Newton for Vogue, Feb. 1995 

roger & jane’s acid trip in “far away places” practically brought me to tears. probably the most accurate & moving trip scene i’ve ever seen. like everything mad men does the scene has a chance to breathe - this isn’t an easy rider nightmarish montage & there’s no emphasis on cartoony visuals. crazy visuals are easy to concoct & rarely true to life. this scene pulls off the difficult feat of depicting the emotional journey and infinite variety of a trip. private happinesses like roger’s orchestra in the liquor bottle - they feel strange, oddly unsurprising, but deeply moving and joyful. jane dropping silent tears of beauty as she dances with him. and finally coming to their understanding together, quietly, gravely, openly discussing the end of their marriage, on a level playing field, “in the truth” as roger says the next morning.

but the morning shows the real truth of the situation - in the moment, acid can give you the clarity and serenity to make peace with yourself, without fear, but when it’s gone you’ll be back where you started. epiphanies aren’t that simple. acid can show you what you really feel, but it can’t make plans for you. in the light of day you have to look at what you found, all strings and consequences restored.

necronoms:

this week on hannibal: dr. lecter creates more murder installations while dr. chilton is tired of getting covered in gross stuff